Ben Allison - bass
Jeremy Pelt - trumpet
Steve Cardenas - guitar
Allan Mednard - drums
In a career that spans nearly 30 years, bassist/composer Ben Allison has developed his own instantly identifiable sound, solidifying an international reputation as one of the leading voices of his generation. Known for his inspired arrangements, inventive grooves and hummable melodies, Ben draws from the jazz tradition and a range of influences from rock and folk to 20th century classical and world music, seamlessly blending them into a cinematic, cohesive whole.
With his groups The Ben Allison Band, Think Free, The Easy Way Trio, Peace Pipe, and Medicine Wheel, Ben has toured extensively throughout the world, winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
Recent performance highlights include Carnegie Hall (New York City), Teatro Manzoni (Milan, Italy), Thatro Roberto Cantoral (Mexico City, Mexico), Central Park’s SummerStage (New York, NY), Auditório Ibirapuera (Sao Paulo, Brazil), The Capitol Theater (Salt Lake City, NV), Walt Disney Concert Hall (Los Angeles, CA) and Queen Elizabeth Hall (London, England).
In 2005, 2008 and 2013, Ben was a featured composer, arranger and performer with Jazz Sinfonica, an 80-piece orchestra based in Sao Paulo, Brazil. The orchestra performed Ben’s compositions Little Things Run the World, Riding the Nuclear Tiger, Roll Credits, Green Al, and others from his various albums. Ben performed his Carnegie Hall debut as a leader in February 2012. A multi-part short documentary of Ben preparing for the concert was filmed.
Born in New Haven, Connecticut, Ben has performed and collaborated with an extremely diverse range of artists including oudist Ara Dinkjian, kora player Mamadou Diabate, saxophonists Lee Konitz and Joe Lovano, Cambodian chapei master Kong Nay, legendary performance artist Joey Arias, tap dancers Jimmy Slide and Gregory Hines and US Poet Laureate Robert Pinsky. He has appeared on over 50 albums by various artists and has written music for film, television and radio, including the theme for the National Public Radio (NPR) show On the Media (which boasts a listenership of over 2,000,000 people), the score for Two Days, a play written by Pulitzer Prize-winning author Donald Margulies and the theme for The Conversation, a webcast talk show hosted by Pharrell Williams.
Called “one of today’s best young jazz musicians” by the Boston Globe and a “visionary composer, adventurous improviser, and strong organizational force on the New York City jazz scene” by JazzTimes, Ben has released 13 albums — Layers of the City (2017, Sonic Camera Records), Quiet Revolution (2016, Newvelle Records), The Stars Look Very Different Today (2013, Sonic Camera Records) and Action-Refraction (2011), Think Free (2009), Little Things Run the World (2008), Cowboy Justice (2006), Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), Medicine Wheel (1998) and Seven Arrows (1996) on Palmetto Records — all of which showcase Ben’s forward-thinking vision as a bassist, composer, arranger, producer, and mixing engineer, as well as his hands-on approach to his craft.
7 of Ben’s albums have reached #1 on the CMJ national jazz radio charts, often remaining in the top 10 for many weeks, garnering him 8 SESAC National Performance Awards. His album Action-Refraction was named one of the Best Albums of 2011 (of any genre) by NPR and Time Out New York. His albums have consistently been named as among the best of the year by publications such as Billboard, The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association, Downbeat Critics Poll, All About Jazz, Coda (Canada), Jazzit (Italy) and Jazz Review (UK), among many others.
ADVOCATE / AUTHOR / NON-PROFIT ARTS LEADERSHIP
Over the past two decades, Ben has solidified his reputation as a strong voice for artist empowerment and musician’s rights. In 2001 he served as an advisor to the Doris Duke Foundation, helping to establish Chamber Music America’s New Works – Creation and Presentation program. He has served as a panelist and featured speaker at conferences led by the International Association of Jazz Educators, Chamber Music America, the Association of Performing Arts Presenters, JazzTimes, the Doris Duke Foundation, the NY State Arts Presenters, the JazzConnect conference, and the Jazz Composers Collective (see below).
Ben currently serves as President of the Board of the New York chapter of the Recording Academy. Since being elected to the board in 2011, he has also chaired the Advocacy Committee and served two terms as Vice President. He has met with state and federal Senators and Representatives on subjects ranging from intellectual property rights, to technology and arts funding. In June 2012, Ben testified before the House Committee on Energy and Commerce in support of performing rights. His testimony was reported on by the BBC (here), Billboard (here, and here), Bloomberg and the New York Times (here) among many other national and international news outlets. In 2015, Ben organized and moderated the first ever Grammy Town Hall in NYC, which featured an expert panel and keynote address by legendary producer Tony Visconti. He has appeared on radio programs produced by WBGO and WNYC where he has discussed issues relating to music piracy and intellectual property rights and is an active member of the NY state coalition NY is Music.
At the age of twenty-five, Ben formed the Jazz Composers Collective — a musician-run, non-profit organization based in New York City that was dedicated to constructing an environment where artists could exercise their ideals of creating and risking through the development and exploration of new music. As the Artistic Director and a Composer-in-Residence of the Collective, Ben produced or co-produced over 100 concerts and special events, including the Collective’s annual concert series (which ran for eleven seasons), national and international tours by Collective artists, an on-going Collective residency at the Museum of Modern Art (MoMA, NYC), and, in partnership with the United States Embassy, a series of concerts and educational activities in Sao Paulo and Campinas, Brazil. From 2001-2005 Ben organized an annual “Jazz Composers Collective Festival” at the Jazz Standard — which drew international attention as “..a mainstay of New York City’s cultural life” (New Yorker Magazine).
As an author, Ben has contributed music-related articles to magazines such as Downbeat, JazzTimes, Bass Player, Premiere Guitar, Bass World, Double Bassist and thetalkhouse.com. He co-wrote (with pianist Frank Kimbrough) the liner notes for the CD Herbie Nichols: The Complete Blue Note Recordings.
AWARDS / CITATIONS
In 2005, Ben received the Bird Award, Holland’s highest honor for jazz musicians. Previous recipients have included Miles Davis, Art Blakey, Pat Metheny, Stefano Bollani, Ray Brown, Ornette Coleman, Sonny Rollins, Misha Mengelberg, and Han Bennick.
Ben has been cited in the Downbeat Critics Poll “Bassist” category (2010-2016), “Composer” category (2010-2017) and won the “Rising Star Bassist” category in 2005, 2006 and 2007. He’s also been cited in the “Rising Star Album,” “Rising Star Acoustic Group,” “Rising Star Arranger,” and “Rising Star Jazz Artist,” categories 2003-2015 as well as the “Bassist” category of the 2005-2014 Downbeat Readers Poll.
He has received commissioning, performing, and recording grants from Chamber Music America, the Mary Flagler Cary Charitable Trust, the National Endowment for the Arts, the Aaron Copland Foundation, The Mid-Atlantic Arts Foundation, Meet the Composer, and the American Composers Forum, among others.
Ben has been an adjunct professor at the New School Jazz and Contemporary Music Programsince 1996. He has taught classes and led ensembles on subjects ranging from the music of Thelonious Monk, Wayne Shorter, Miles Davis, Herbie Nichols and R&B to advanced concepts of improvisation and composition, as well as individual bass and composition instruction and the Senior Seminar. In 2015, Ben began teaching a course of his own creation entitled Entrepreneurship in Music, a project-based class where students work collaborativly to create virtual companies, learn basic business practices and start to envision their professional careers in the music. Since 2011, Ben has been a visiting artist and ensemble instructor at New York University’s Summer Jazz Workshop and has conducted clinics and residencies at universities and conservatories in the United States, Italy, Brazil, Belgium, the UK, Portugal, Denmark and Mexico. From 2009-2010 Ben was a Teaching Artist at the Weill Music Center at Carnegie Hall.
Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.
Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.
Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Make Noise!" (Highnote rec. 2017).
Guitarist Steve Cardenas began his musical career in Kansas City and has been an integral part of the New York City jazz community since 1995.
Steve has performed and recorded with many well-known and highly esteemed musicians. Notably, he was a longstanding member of the Paul Motian Electric Bebop Band (which later became the Paul Motian Octet), the Charlie Haden Liberation Music Orchestra, as well as Joey Baron‘s band, Killer Joey. Steve is currently a member of the Steve Swallow Quintet, Ben Allison Band, Jon Cowherd‘s Mercy Project and John Patitucci‘s Electric Guitar Quartet. He has toured extensively throughout Europe, North and South America and Asia, performing at countless international music festivals, theaters, opera houses and clubs. Steve also leads his own trio and has released four recordings as a leader. His most recent album, Melody in a Dream, was released on Sunnyside Records last year.
Steve is also a well-respected educator. He is on faculty at The New School For Jazz and Contemporary Music in New York City where he directs the Thelonious Monk Ensemble and the Guitar Duos class, as well as offering individual lessons. He has also been on faculty at the California Institute of the Arts, Siena Summer Jazz Workshop, Brubeck Summer Jazz Colony, Stanford Jazz Workshop and Banff International Workshop in Jazz and Creative Music.
Additionally, Steve is co-author, along with editor Don Sickler, of the Thelonious Monk Fakebook, Hal Leonard Publishing. The Thelonious Monk Fakebook marks the first time all of Monk’s compositions have appeared in one volume, many of them appearing for the first time.
Allan Mednard was born and raised in Queens, New York. His early musical experiences involved New York City's All-City High School Music program, Bayside High School's Academy of Music, and Queens College's Center for Preparatory Studies in Music program. He graduated with a Bachelors of Fine Arts degree in jazz performance from the City College of New York. While attending the City College of New York he studied with Carl Allen. He has shared the stage with ensembles led by Kurt Rosenwinkel, Aaron Parks, Ben Street, Ben Allison, Godwin Louis, Andrew D'Angelo, Alix Ambroise, Jaleel Shaw, Le Boeuf Brothers, Melissa Aldana, and many more.